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明 Ming · 诗 Poem

即事

Written on the Spot

夏完淳

Xia Wanchun

爱国patriotism 感怀reflection

复楚情何极,亡秦气未平。
雄风清角劲,落日大旗明。
缟素酬家国,戈船决死生!
胡笳千古恨,一片月临城。

To restore Chu—how boundless the feeling; to bring down Qin—the spirit is not yet stilled.
In the strong wind the clear bugle rings keen; in the setting sun the great banner shines bright.
In white mourning I repay my house and state; in the war-boat I settle life and death!
The nomad pipe holds a grief of a thousand ages, and one sheet of moonlight comes over the wall.
Listen

Meaning

How urgent and unrestrainable is the wish to restore the fallen state, how hotly the will to destroy the enemy still surges in the heart. Through the strong wind comes the clear, keen note of the bugle, and in the blood-red setting sun the great banner stirs bright. In white mourning clothes I swear to repay my house and my country, and in the war-boat I will settle life and death with the foe. The nomad pipe stirs a grief of a thousand ages, and a sheet of bright moonlight has come over the city wall.

复兴故国的愿望何等急切难禁,消灭敌人的志气在心头热烈奔腾。雄劲的风中传来清越的军号,血红的落日里飘动着鲜明的大旗。我身著缟素立誓报效家国,驾着战船与敌决一死生!胡笳声激起千古悲恨,一片明月已照临城头。

Appreciation

Xia Wanchun, childhood name Duange, courtesy name Cungu and styled Xiaoyin, a native of Huating in Songjiang, was a poet at the end of the Ming and a hero of the resistance to the Qing; his father Xia Yunyi and his teacher Chen Zilong were both leaders of the Restoration Society and died for the dynasty in turn. The poem unfolds in a linked chain of feeling and scene: the opening couplet speaks its urgent grief directly, restoring Chu and bringing down Qin; the second turns abruptly to a heroic view, the clear bugle keen in the strong wind and the great banner bright in the setting sun, two words, keen and bright, writing the martial bearing of the volunteer army; the third returns to statement, white mourning and the war-boat declaring in absolute terms a vow to die; and the last comes back to scene, the nomad pipe and the cold moonlight over the wall gathering up the grief. Scene and feeling cross and recross, the breath runs on, and the manner is at once tragic and exalted, grave and broad.

【白话串讲】 夏完淳是明末少年英雄,抗清被俘,从容就义。他写《即事》:“复楚情何极,亡秦气未平”。“缟素酬家国,戈船决死生”——他要用战船决一死生。“胡笳千古恨,一片月临城”——死时他才17岁。 【意象与手法】 此诗以“情—景—情—景”连环映带的结构展开:首联直抒“复楚”“亡秦”的急切悲愤 【情感与主旨】 夏完淳,乳名端哥,字存古,号小隐,松江华亭(今上海松江)人,明末诗人、抗清英雄 【名句点睛】 常考“用典抒情”“情景关系”“爱国情感”。命题示例:赏析“雄风清角劲,落日大旗明”的妙处。答

Background

Xia Wanchun, childhood name Duange, courtesy name Cungu and styled Xiaoyin, was a native of Huating in Songjiang, the modern Songjiang in Shanghai, a poet of the late Ming and a hero of the resistance to the Qing. His father Xia Yunyi and his teacher Chen Zilong were both leading members of the Restoration Society, and both gave their lives for the dynasty after its fall. When Nanjing fell in the second year of the Shunzhi reign, Wanchun was only fourteen; he threw down his brush and joined the army, entering the volunteer force of Wu Yi, and the three poems Written on the Spot belong to this period, around 1646. Restoring Chu and bringing down Qin in the poem stand for restoring the Ming and destroying the Qing, and the line on white mourning owes its force to the recent death of his father, so that family and state share one enmity. Defeated and captured at seventeen, he refused to submit and died for his cause, a man of principle at the end of the Ming.

《即事》为明末夏完淳所作,是写复楚亡秦、家国之恨的诗。夏完淳(1631—1647),字存古,华亭人,明末抗清英雄、诗人。此诗:复楚情何极,亡秦气未平。雄风清角劲,落日大旗明。缟素酬家国,戈船决死生!胡笳千古恨,一片月临城。全诗写复楚亡秦、家国之恨,是夏完淳诗的名篇。

Art

The poem unfolds in a linked chain of feeling and scene, feeling, scene, feeling, scene. The opening couplet states directly the urgent grief and anger of restoring Chu and bringing down Qin; the second turns abruptly to a heroic landscape, the clear bugle keen in the strong wind and the great banner bright in the setting sun, where the two words keen and bright write vividly the martial bearing of the volunteer army; the third returns to statement, white mourning repaying house and state and the war-boat settling life and death, declaring in absolute terms a vow to die; and the closing couplet, the nomad pipe with its grief of a thousand ages and one sheet of moonlight over the wall, comes back to scene, gathering up the sorrow in a cold clear light. Scene and feeling cross and recross, the breath runs on, and the whole forms a manner at once tragic and exalted, grave and broad.

《即事》艺术上以复国壮志的激昂与家国之恨的沉痛见长。全诗八句,层层写来:前二句写复楚亡秦——“复楚情何极,亡秦气未平”写复楚情极、亡秦气未平;中四句写雄风落日——“雄风清角劲,落日大旗明”写雄风清角、落日大旗,“缟素酬家国,戈船决死生”写缟素酬家国、戈船决死生;末二句写胡笳千古恨——“胡笳千古恨,一片月临城”写胡笳千古恨、一片月临城。全诗以复国壮志写家国之恨,正是夏完淳诗沉痛的笔法。

Allusions

The opening couplet quietly uses the words recorded in the Basic Annals of Xiang Yu in the Records of the Grand Historian, that though only three households of Chu remained, it would be Chu that destroyed Qin; Chu stands for the Ming and Qin for the Qing, so that the will to recover the old state and destroy the invader is openly declared. White mourning properly means the white clothes of mourning, and here refers both to the death of the poet's father and to the white robes worn to declare a resolve of vengeance and the wiping out of shame. The nomad pipe is a wind instrument of the northern peoples and in the poem stands for the Qing army, lodging hatred of a foreign invasion. In the second of the set, the line about keeping the Han calendar in one's person uses Han for Ming and declares a refusal to follow the Qing calendar; the national feeling in it is severe and unbending.

《即事》用典在“复楚”“亡秦”“缟素”“戈船”。“复楚”用申包胥哭秦廷复楚之典;“亡秦”用楚虽三户亡秦必楚之意;“缟素”写白色丧服(为君父服丧举义);“戈船”写战船。全诗以这些典故写复国壮志,用典自然而激昂自见,正是夏完淳诗的笔法。

Commentary

Xia Wanchun was a hero at an early age, and his poetry has been said to make the words themselves choke on blood; he has long been named with Chen Zilong as one of the twin jewels of the poetic world at the end of the Ming. Shen Deqian of the Qing included his work in the Selected Ming Poems and praised it for mourning the state's fallen and grieving for its resolute men, matter for weeping and for song. The modern writer Liu Yazi said that in reading Wanchun's poems every word is blood. This piece, written by a boy of fourteen on the will to restore his country, is not less tragic than the old Du Fu, and in its gravity comes straight after Yuan Haowen, a supreme song of patriotism at the end of the Ming.

《即事》是夏完淳诗的名篇,也是明末抗清诗的代表作。此诗写复楚亡秦、家国之恨,向为论者称道。论者多赏其复国壮志的激昂与家国之恨的沉痛——“复楚情何极,亡秦气未平”写复楚亡秦,激昂之极;“雄风清角劲,落日大旗明”写雄风清角、落日大旗,更见其壮;“缟素酬家国,戈船决死生”写缟素举义、戈船决死,尤见其烈;“胡笳千古恨,一片月临城”写胡笳千古恨,尤极沉痛。夏完淳以少年抗清、以身殉国著称,其诗以激昂沉痛著称,此诗正是其代表——以复国壮志写家国之恨,正是其诗风。

Prosody

Form Five-character regulated poem五言律诗
Rhyme Ping-shui rhyme, lower level eight geng group (stilled, bright, death, wall)《即事》为五言律诗,八句,押平声韵。此诗用韵:平、明、生、城(庚部),一韵到底,音节激昂。
Tone pattern First line does not enter the rhyme; oblique onset and oblique close五言律诗以音节激昂、情致沉痛见长。此诗写复楚亡秦、家国之恨,音节激昂而沉痛。全诗以五言贯底,声调与复国壮志的内容相合,是夏完淳诗中激昂沉痛的一路。
Reading note The middle two couplets are antithetical and scene and feeling alternate, the first and third couplets stating feeling and the second and fourth writing scene, in a tragic and exalted manner.《即事》为明末夏完淳所作,是写复楚亡秦、家国之恨的诗。此诗以“复楚情何极,亡秦气未平”写复国壮志,以“缟素酬家国,戈船决死生”写以身许国,以“胡笳千古恨,一片月临城”写家国之恨。写复国壮志、家国之恨,正是夏完淳诗的名篇。

Line by line

复楚情何极,亡秦气未平。

The wish to restore Chu, how deep it runs; the spirit that would destroy Qin, not yet spent.

复楚情何极,亡秦气未平。

The longing to restore Chu runs to its utmost; the spirit to avenge the fall of Qin is not yet stilled.

首写复楚亡秦、壮志未平,是全诗写复国壮志的起点。“复楚情何极”写复楚情极——“复楚情何极”用申包胥复楚之典写复楚之情何等深极——复楚情何极;“亡秦气未平”写亡秦气未平——“亡秦气未平”用楚虽三户亡秦必楚之意写亡秦之气尚未平息——亡秦气未平。二句写复楚亡秦、壮志未平:复楚情何极,亡秦气未平。以“复楚情何极”用复楚之典写复国之志、情何深极,以“亡秦气未平”用亡秦之意写抗清之气、尚未平息,正是夏完淳诗写复国壮志的起点——复楚亡秦,志气未平。

The vow. The wish to restore Chu, how deep it runs; the spirit that would destroy Qin, not yet spent. The Shen Baoxu restore-Chu allusion and the though-Chu-has-but-three-houses-Qin-shall-be-Chu's are the Xia Wanchun opening. To have invoked the Chu restoration would be an allusion; the restore-Chu-feeling-how-deep-it-runs against the spirit-that-would-destroy-Qin-not-yet-spent is the allusion.

雄风清角劲,落日大旗明。

In the stern wind the clear bugle blows strong; in the setting sun the great banner burns bright.

雄风清角劲,落日大旗明。

In the grand wind the clear bugle sounds strong; at sunset the great banner stands bright.

此二句写雄风清角、落日大旗,是全诗写军容之壮的深化。“雄风清角劲”写雄风清角——“雄风清角劲”写雄风之中清角劲吹——雄风清角劲;“落日大旗明”写落日大旗明——“落日大旗明”写落日之下大旗鲜明——落日大旗明。二句写雄风清角、落日大旗:雄风清角劲,落日大旗明。以“雄风清角劲”写雄风中号角劲吹之壮,以“落日大旗明”写落日下大旗鲜明之烈,正是夏完淳诗写军容之壮、抗清之志的深化——角声劲吹,大旗映日。

The army. In the stern wind the clear bugle blows strong; in the setting sun the great banner burns bright. The strong bugle in the wind and the bright banner in the sun are the martial scene. To have described the army at sunset would be a scene; the in-the-stern-wind-the-clear-bugle-blows-strong against the in-the-setting-sun-the-great-banner-burns-bright is the scene.

缟素酬家国,戈船决死生!

In white mourning we repay our house and country; on the war boats we stake our lives!

缟素酬家国,戈船决死生!

In white mourning we avenge our prince and country; on the galleys we decide life and death!

此二句写缟素举义、戈船决死,是全诗写以身许国之烈的深化。“缟素酬家国”写缟素酬家国——“缟素酬家国”写着缟素(丧服)以报家国(为君父举义)——缟素酬家国;“戈船决死生”写戈船决死生——“戈船决死生”写戈船之上决一生死——戈船决死生。二句写缟素举义、戈船决死:缟素酬家国,戈船决死生!以“缟素酬家国”写着缟素举义以报家国,以“戈船决死生”写戈船之上决一生死,正是夏完淳诗写以身许国之烈的深化——缟素举义,生死以之。

The galleys. In white mourning we repay our house and country; on the war boats we stake our lives! The white mourning and the galleys staking all are the resolve. To have staked life on the galleys would be a resolve; the in-white-mourning-we-repay-our-house-and-country against the on-the-war-boats-we-stake-our-lives is the resolve.

胡笳千古恨,一片月临城。

The barbarian reed pipe's eternal grief; a single moon hangs over the walls.

胡笳千古恨,一片月临城。

The Tartar reed pipe holds an age-old grief; a single moon light falls on the city.

末写胡笳千古恨、一片月临城,是全诗写家国之恨的归结。“胡笳千古恨”写胡笳千古恨——“胡笳千古恨”写胡笳之声含千古之恨——胡笳千古恨;“一片月临城”写一片月临城——“一片月临城”写一片月色临于城上——一片月临城。二句写胡笳千古恨、一片月临城:胡笳千古恨,一片月临城。以“胡笳千古恨”写胡笳声中含千古之恨,以“一片月临城”写一片月色临城之苍凉,正是夏完淳诗写家国之恨的归结——笳声入恨,月照孤城。

The moon. The barbarian reed pipe's eternal grief; a single moon hangs over the walls. The pipe's eternal grief and the single moon on the walls are the close. To have closed on the moon over the walls would be an image; the barbarian-reed-pipe's-eternal-grief against the a-single-moon-hangs-over-the-walls is the image.

Study

Word focus

复楚 A key expression in the poem. Read it as an image, mood, or grammar point in context. “复楚情何极”之“复楚”,用申包胥哭秦廷复楚之典写复国,是全诗写复国壮志的关键词。“复楚”用申包胥之典写恢复楚国(借指复明)——复楚之情何等深极。这一词写复国之志:不是寻常之愿,而复楚;不是可止之情,而情何极。以“复楚情何极,亡秦气未平”写复国之情深极、抗清之气未平,正是夏完淳诗写复国壮志的起点。
缟素 White mourning puns on the death of the poet's father and on the vow of revenge; the plain robes declare a heart set on wiping out shame, heavy with an unbending integrity. “缟素酬家国”之“缟素”,写白色丧服,是全诗写举义报国之烈的关键词。“缟素”写白色的丧服——着缟素以报家国。这一词写举义之哀烈:不是平常之服,而缟素;不是可省之礼,而为君父服丧举义。以“缟素酬家国,戈船决死生”写缟素举义、决死生,正是夏完淳诗写以身许国之烈的笔法。
戈船 A key expression in the poem. Read it as an image, mood, or grammar point in context. “戈船决死生”之“戈船”,写战船,是全诗写抗清之战的意象词。“戈船”写载戈之战船——戈船之上决一生死。这一词写战船之烈:不是寻常之船,而戈船;不是可退之战,而决死生。以“缟素酬家国,戈船决死生”写戈船决死、以身许国,正是夏完淳诗写抗清之战的笔法。
千古恨 A key expression in the poem. Read it as an image, mood, or grammar point in context. “胡笳千古恨”之“胡笳千古恨”,写胡笳之声含千古之恨,是全诗写家国之恨的归结词。“胡笳”写胡笳之声,“千古恨”写千古之恨——胡笳声中含千古之恨。这一词写恨之深:不是一时之恨,而千古恨;不是可消之怨,而流传千古。以“胡笳千古恨,一片月临城”写笳声含恨、月照孤城,正是夏完淳诗写家国之恨的归结。

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