All poems

唐 Tang · 诗 Poem

春怨

A Complaint in Spring

金昌绪

Jin Changxu

闺怨boudoir resentment 思妇longing wife 战争war

打起黄莺儿,莫教枝上啼。
啼时惊妾梦,不得到辽西。

Drive away the yellow oriole,
Do not let it sing upon the branch.
Its singing wakes me from my dream—
And I cannot reach Liaoxi.
Listen

Meaning

A woman drives off the oriole whose song would break the dream in which she journeys to Liaoxi to meet her soldier husband, revealing the depth of a wartime separation.

赶走那黄莺儿,别让它在枝头啼叫。它一啼叫就惊醒了我的梦,叫我没法在梦里赶到辽西去见丈夫。

Appreciation

The whole poem shows a woman shooing away the oriole on the branch, for its song would shatter the dream in which she travels to Liaoxi to meet her husband at the frontier. The four lines unfold in one breath, from 'driving the bird' to 'the dream breaks' to 'cannot reach Liaoxi,' voicing a longing wife's devotion with the utmost delicacy. The word Liaoxi names the war, giving her private grief the weight of an era. It seems a mere coquettish complaint, yet it is the shared sorrow of countless women married to conscripts.

【白话串讲】 “打起黄莺儿,莫教枝上啼”——金昌绪写春怨:她要把黄莺赶走。“啼时惊妾梦,不得到辽西”——原来黄莺会惊醒她的梦,她正在梦里见边关的丈夫。二十个字,一个婉转的悬念。 【意象与手法】 不写思念而写“驱莺”,以反常举动写深挚之情。“辽西”一词点出征戍背景,全诗的闺怨遂有了时代厚度。 【情感与主旨】 看似写小儿女娇嗔,实则是千百万征人妇的共同悲苦。战争让夫妻天各一方,连梦中相聚都被鸟啼剥夺,怨而不怒,哀婉动人。 【名句点睛】 “啼时惊妾梦,不得到辽西”——以梦被惊破写聚首之难,短短十字,痴情与辛酸俱足。

Background

Frontier troubles were frequent in the Tang, and many were conscripted to Liaoxi; the longing wife's complaint became a common theme. In just a few words this poem conveys the deepest feeling, a model of 'small form, great meaning' among Tang five-character quatrains.

《春怨》为唐代金昌绪所作,是写思妇闺怨、恨莺惊梦之情的诗。金昌绪(生卒年不详),余杭人,唐代诗人。此诗:打起黄莺儿,莫教枝上啼。啼时惊妾梦,不得到辽西。全诗写思妇闺怨、恨莺惊梦之情,是金昌绪诗的名篇。

Art

Twenty characters yet a complete little plot: the impulse (drive the bird), the reason (do not sing), the cause (dream broken), the aim (reach Liaoxi). It builds backward to its point, revealing the theme only in the last line, with an endless aftertaste.

《春怨》艺术上以恨莺惊梦的描摹与思妇闺怨的深婉见长。全诗四句,层层写来:首写打起黄莺儿——“打起黄莺儿,莫教枝上啼”写打起黄莺儿、莫教枝上啼;末写惊梦辽西——“啼时惊妾梦,不得到辽西”写啼时惊妾梦、不得到辽西。全诗以恨莺惊梦写思妇闺怨,正是金昌绪诗深婉的笔法。

Allusions

Liaoxi refers to the land west of the Liao River, often a Tang garrison region; 'qie' (I, your servant) was an ancient woman's humble self-address.

《春怨》用典在“辽西”“黄莺”。“辽西”写辽西(征夫戍地,唐军戍守之处);“黄莺”写黄莺(报春之鸟)。全诗以这些意象写思妇闺怨、恨莺惊梦,用典自然而深婉自见,正是金昌绪诗的笔法。

Commentary

Zhong Xing of Tang Shi Gui remarked: 'The idea is wonderfully strange, the tone artlessly direct—this is why it is a Tang masterpiece.'

《春怨》是金昌绪诗的名篇,也是唐代思妇诗中写闺怨的代表作。此诗写思妇闺怨、恨莺惊梦之情,向为论者称道。论者多赏其恨莺惊梦的描摹与思妇闺怨的深婉——“打起黄莺儿,莫教枝上啼”写打起黄莺、莫教枝上啼,深婉之极;“啼时惊妾梦,不得到辽西”写啼时惊妾梦、不得到辽西,更见其怨。金昌绪仅存此诗,却是唐诗名篇——以恨莺惊梦写思妇闺怨,正是其诗风。

Prosody

Form Five-character quatrain (jueju)五言绝句
Rhyme Rhymes with 啼, 西 (Pingshui rhyme, upper-level 齐 group), one rhyme throughout.《春怨》为五言绝句,四句,押平声韵。此诗用韵:儿、啼、西(齐部),一韵到底,音节深婉。
Tone pattern Oblique opening, first line does not enter the rhyme; colloquial in language yet tight in structure, with a folk-song flavor.五言绝句以音节深婉、情致含蓄见长。此诗写思妇闺怨、恨莺惊梦之情,音节深婉而含蓄。全诗以五言贯底,声调与闺怨的内容相合,是金昌绪诗中深婉的一路。
Reading note Twenty characters with full opening-development-turn-conclusion—the height of the Tang five-character quatrain.《春怨》为唐代金昌绪所作,是写思妇闺怨、恨莺惊梦之情的诗。此诗以“打起黄莺儿,莫教枝上啼”写恨莺之情,以“啼时惊妾梦,不得到辽西”用辽西之典写思妇闺怨。写思妇闺怨、恨莺惊梦,正是金昌绪诗的名篇。

Line by line

打起黄莺儿,莫教枝上啼。

Drive away the yellow oriole; do not let it cry upon the branch.

打起黄莺儿,莫教枝上啼。

Drive away the oriole, I tell you; let it not sing upon the bough.

首写打起黄莺儿、莫教枝上啼,是全诗写恨莺之情的起点。“打起黄莺儿”写打起黄莺儿——“打起黄莺儿”写赶走那黄莺儿——打起黄莺儿;“莫教枝上啼”写莫教枝上啼——“莫教枝上啼”写别让它在枝头啼叫——莫教枝上啼。二句写打起黄莺儿、莫教枝上啼:打起黄莺儿,莫教枝上啼。以“打起黄莺儿”写赶走黄莺、驱之使去,以“莫教枝上啼”写莫教枝啼、恐惊好梦,正是金昌绪诗写恨莺之情的起点——打起黄莺,莫教枝啼。

The opening writes drive away the oriole, I tell you; let it not sing upon the bough, the starting point of the whole's writing the grievance at the oriole. The first line writes driving off the bird; the second writes not letting it sing on the branch. The two lines write the chasing of the oriole and the forbidding of its song, exactly Jin Changxu's starting point of writing the grievance at the bird - drive off the oriole, let it not sing on the bough, fearing it will startle the sweet dream.

啼时惊妾梦,不得到辽西。

When it cries it startles my dream, and I cannot reach Liaoxi.

啼时惊妾梦,不得到辽西。

When it sings, it startles my dream, and I cannot reach Liaoxi.

末用辽西之典写啼时惊妾梦、不得到辽西,是全诗写思妇闺怨的归结。“啼时惊妾梦”写啼时惊妾梦——“啼时惊妾梦”写它一啼就惊醒了我的梦——啼时惊妾梦;“不得到辽西”用辽西之典写不得到辽西——“不得到辽西”用辽西为征夫戍地写没法在梦里到辽西见夫——不得到辽西。二句写啼时惊妾梦、不得到辽西:啼时惊妾梦,不得到辽西。以“啼时惊妾梦”写莺啼惊梦、好梦中断,以“不得到辽西”用辽西之典写梦断辽西、难见征夫,正是金昌绪诗写思妇闺怨的归结——惊梦辽西,怨在心头。

The close uses the Liaoxi allusion to write when it sings, it startles my dream, and I cannot reach Liaoxi, the landing of the whole's writing the chamber grievance. The first line writes that its singing startles my dream; the second uses the Liaoxi allusion, Liaoxi being the conscript's garrison, to write that she cannot in the dream reach Liaoxi to see her husband. The two lines write the oriole's song breaking the dream, and the dream cut short before Liaoxi, the conscript hard to see, exactly Jin Changxu's landing of the longing wife's grievance - the dream startled at Liaoxi, the grief within the heart.

Study

Word focus

打起 Meaning 'drive away,' the act is resolute yet born of devotion; writing deep love through an odd act, the opening is already strange. “打起黄莺儿”之“打起”,写赶走,是全诗写恨莺之情的动作词。“打起”写赶走(打去)——赶走那黄莺儿。这一词写恨之动:不是相怜之态,而打起;不是可留之鸟,而驱之使去。以“打起黄莺儿,莫教枝上啼”写打起黄莺、莫教啼叫,正是金昌绪诗写恨莺之情的起点。
莫教 A key expression in the poem. Read it as an image, mood, or grammar point in context. “莫教枝上啼”之“莫教”,写莫让,是全诗写防莺之意的语气词。“莫教”写莫让——别让它在枝头啼叫。这一词写意之切:不是随意之嘱,而莫教;不是可缓之愿,而急切禁止。以“打起黄莺儿,莫教枝上啼”写莫教枝啼、恐惊好梦,正是金昌绪诗写恨莺之情的笔法。
妾 A key expression in the poem. Read it as an image, mood, or grammar point in context. “啼时惊妾梦”之“妾”,写我(女子自称),是全诗写思妇口吻的自称词。“妾”写我(女子谦称)——它一啼就惊醒了我的梦。这一词写口吻之婉:不是直称之我,而妾;不是可略之称,而闺中自谓。以“啼时惊妾梦,不得到辽西”写妾梦惊断,正是金昌绪诗写思妇闺怨的笔法。
辽西 Names the garrison where her husband serves, giving the boudoir complaint a concrete historical background, so personal sorrow becomes the pain of the age. “不得到辽西”之“辽西”,用征夫戍地写辽西,是全诗写思妇所念的地名词。“辽西”写辽西(征夫戍地)——没法在梦里到辽西见夫。这一词写念之远:不是近处之夫,而辽西;不是可到之地,而千里戍所。以“啼时惊妾梦,不得到辽西”用辽西之典写梦断辽西,正是金昌绪诗写思妇闺怨的归结。

Related Reading