唐 Tang · 诗 Poem
清明夜
The Night of Qingming
好风胧月清明夜,碧砌红轩刺史家。
独绕回廊行复歇,遥听弦管暗看花。
blue-tiled steps and scarlet windows in the prefect's house.
Alone I circle the winding corridor, walking now, resting now,
listening from afar to strings and flutes, quietly watching the flowers.
Meaning
On a moonlit Qingming night, the poet, then serving as a prefect, wanders alone through the corridors of his official residence, listening to distant music and gazing at flowers in the dark. A short poem of quiet leisure, it captures a moment of solitude and half-hidden enjoyment within the ease of an official's garden, and has become one of Bai Juyi's best-loved minor poems.
好风胧月清明夜,碧砌红轩刺史家。独绕回廊行复歇,遥听弦管暗看花。
Appreciation
[Plain Paraphrase] A soft wind and a veiled moon make the Qingming night; the scene is the prefect's residence, with its blue-tiled steps and scarlet windows. The poet walks its winding corridors alone, now pacing, now pausing; he hears music from far away and watches the flowers in the dark. [Structure] The first couplet sets a stage, the second fills it with a single unhurried figure. All the poem's action is walking, listening and looking, the smallest possible amount of event, which is exactly its charm. [Imagery] The hazy moon, the winding corridor and the unseen flowers create layers of distance and dimness, while 'alone' quietly admits a thread of solitude beneath the comfort. [Theme] This is Bai Juyi's leisurely mode at its purest: no political anger, no satire, only a prefect's private enjoyment of a spring night, yet the word 'alone' keeps the poem from being merely decorative, hinting at the loneliness behind official ease.
【白话串讲】 白居易写《清明夜》:“好风胧月清明夜,碧砌红轩刺史家”——“独绕回廊行复歇,遥听弦管暗看花”——他写清明夜——遥听弦管暗看花。 【意象与手法】 “好风胧月清明夜,碧砌红轩刺史家”写清明夜好风胧月;“独绕回廊行复歇”写独绕回廊;结以“遥听弦管暗看花”写遥听弦管。清幽闲适。 【情感与主旨】 白居易写清明夜闲适之作,写好风胧月、独绕回廊而遥听弦管暗看花的清幽,是白居易闲适诗中的名篇。 【名句点睛】 常考“好风胧月清明夜,碧砌红轩刺史家”写清明夜景;“独绕回廊行复歇,遥听弦管暗看花”写闲适。
Background
Bai Juyi (772-846), courtesy name Letian, was the leading poet of the mid-Tang and a poet of many moods, fierce satirist and genial idler by turns. This poem belongs to his leisurely vein and was written while he held a provincial prefecture, most likely Hangzhou (822-824) or Suzhou (825-826); the prefect's house of the second line is his official residence. Qingming, in early April, was the festival of sweeping ancestral graves and spring outings, a day that moved between solemn remembrance and open-air enjoyment. The poem seizes the festival's quietest moment, the moonlit night after the day's observances, and shows the poet at ease in his garden, his leisure made more touching by the single word 'alone.'
《清明夜》为唐代诗人白居易所作诗。白居易(772—846),字乐天,号香山居士,下邽人,唐代诗人。此诗写清明闲适,为清明夜之作。诗中「好风胧月清明夜,碧砌红轩刺史家」写好风胧月清明夜,碧砌红轩刺史家;「独绕回廊行复歇,遥听弦管暗看花」写独绕回廊行复歇,遥听弦管暗看花。白居易此诗以清明闲适、遥听弦管暗看花写其闲适之情,清幽闲适,是白居易诗中的名篇。此篇《清明夜》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。此篇《清明夜》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。此篇《清明夜》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。
Art
The poem's art is one of economy and suggestion. Four lines set a night, a house, a walker and a mood, and nothing is wasted. The first couplet is pure atmosphere, fine wind, hazy moon, blue-tiled steps, scarlet windows, a string of visual and tactile impressions that establishes a hushed, luminous setting. The second couplet introduces the poet: 'alone' gives him his posture, 'walking now, resting now' gives him his rhythm, 'listening from afar' gives him his ear, and 'quietly watching' gives him his eye. The paired adverbs 'afar' and 'quietly' are the poem's quiet masterstroke: distance and dimness become the conditions of pleasure, so that the unseen flowers and the half-heard music create a world felt rather than seen. The result is a poem of repose, in which every element is tuned to the pitch of a calm spring night.
此诗艺术上以「清幽闲适、以月写情」见长。全诗共四句两联,由好风胧月清明夜而独绕回廊行复歇。起「好风胧月清明夜,碧砌红轩刺史家」写好风胧月清明夜:好风胧月清明夜,碧砌红轩刺史家;结「独绕回廊行复歇,遥听弦管暗看花」写独绕回廊行复歇:独绕回廊行复歇,遥听弦管暗看花。全诗以月写情,由好风胧月清明夜而遥听弦管暗看花,清幽闲适,是白居易诗中的名篇。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。
Allusions
The poem uses no dense literary allusions; its roots are in custom and in the tradition of the night-garden poem. Qingming is the early-April festival of tomb-sweeping and spring outings, and this is one of the few Tang poems to dwell on the festival's night rather than its day, turning from the customary rain of Du Mu's famous Qingming poem to a fine wind and a hazy moon. 'Strings and flutes' is the standard poetic pairing for banqueting music, while the 'winding corridor' belongs to the vocabulary of aristocratic gardens that runs through Tang poetry. The poem quietly inverts the festival's usual melancholy: where Qingming poems typically grieve for the dead or the rain, Bai Juyi finds, in his own official garden, a living stillness worth savoring.
诗中「好风胧月清明夜碧砌红轩刺史家」「独绕回廊行复歇遥听弦管暗看花」等语,皆含典故故实。「好风胧月清明夜碧砌红轩刺史家」写的好风胧月清明夜碧砌红轩刺史家;「独绕回廊行复歇遥听弦管暗看花」写独绕回廊行复歇遥听弦管暗看花。诗人以好风、胧月等语入诗,不着痕迹,而把清明闲适之情写得真切可感,是善于熔铸典故的体现。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。
Commentary
The Night of Qingming has long been treasured for capturing what later readers called the leisurely interest of a Tang official's private life. Its couplet 'Alone I circle the winding corridor, walking now, resting now; listening from afar to strings and flutes, quietly watching the flowers' has been quoted again and again as a model of quiet enjoyment, its charm lying in the pairing of the verbs: walking and resting, listening and watching, each act slowing the next. Where Du Mu's famous Qingming poem asks help of a winehouse to dispel its sorrow, Bai Juyi's finds its comfort already at home. Critics have noted that the single word 'alone' is the poem's emotional hinge, admitting a faint loneliness into the prefect's ease and giving the poem a psychological depth unusual in so small a frame. It shows the range of the poet who could also write 'in Quzhou, men ate men.'
这首《清明夜》,是白居易写清明闲适之作,写好风胧月清明夜、独绕回廊行复歇、遥听弦管暗看花之情,清幽闲适。起「好风胧月清明夜,碧砌红轩刺史家」——好风胧月清明夜,碧砌红轩刺史家。写好风胧月清明夜:好风胧月清明夜、碧砌红轩刺史家——清明夜、刺史家;结「独绕回廊行复歇,遥听弦管暗看花」——独绕回廊行复歇,遥听弦管暗看花。写独绕回廊行复歇:独绕回廊行复歇、遥听弦管暗看花——行复歇、暗看花。这「独绕回廊行复歇,遥听弦管暗看花」,是全诗之结:以遥听弦管暗看花写其闲适。全诗清幽闲适,以月写情,正是白居易诗中的名篇。综观全诗,情真、景切、理深,三者浑融无迹,故能于短短数语之中寄无限深意,令人百读不厌。其含蓄蕴藉之处,正是中国古典诗歌以少总多、言有尽而意无穷的美学精神的生动体现。综观全诗,情真、景切、理深,三者浑融无迹,故能于短短数语之中寄无限深意,令人百读不厌。其含蓄蕴藉之处,正是中国古典诗歌以少总多、言有尽而意无穷的美学精神的生动体现。
Prosody
Line by line
好风胧月清明夜,碧砌红轩刺史家。
A fine wind, a hazy moon: the night of Qingming; blue-tiled steps and scarlet windows in the prefect's house.
好风胧月清明夜,碧砌红轩刺史家。
Fair wind, faint moon, the night of Qingming; green steps, red casement, the prefect's house.
起句写好风胧月清明夜,起笔即见其清明夜。「好风胧月清明夜」写好风胧月清明夜,「好风胧月」写好风胧月、「清明夜」写清明夜;「碧砌红轩刺史家」写碧砌红轩刺史家,「碧砌红轩」写碧砌红轩、「刺史家」写刺史家。一句写好风胧月清明夜碧砌红轩刺史家,以好风胧月清明夜写清明夜、以碧砌红轩刺史家写刺史家,写尽好风胧月清明夜、碧砌红轩刺史家之情。以夜起兴,清幽而闲适,是「以夜起兴」的妙笔。
The opening line writes 'fair wind, faint moon, the night of Qingming', the start. 'Fair wind, faint moon, the night of Qingming' — the fair wind, the faint moon, the Qingming night; 'green steps, red casement, the prefect's house' — the green steps, the red casement, the prefect's house. Rising through the night, quiet and leisured, the start of the night verse.
独绕回廊行复歇,
Alone I circle the winding corridor, walking now, resting now,
独绕回廊行复歇,
Alone I pace the winding corridor, walking then resting,
此句写独绕回廊行复歇,是全诗写回廊之态的关键。「独绕回廊」写独绕回廊,「独绕」写独绕、「回廊」写回廊;「行复歇」写行复歇,「行复」写行复、「歇」写歇。一句写独绕回廊行复歇,以独绕回廊写回廊、以行复歇写行复歇,写尽独绕回廊行复歇之情。以廊写情,清幽而闲适,是「以廊写情」的点睛之笔。此句以寥寥数语写尽深意,情韵兼胜,正是全诗点睛之笔。其于字句之间暗藏波澜,于平易之中寄寓曲折,尤当反复涵泳,方能得其三昧。
This line writes 'alone I pace the winding corridor, walking then resting', the key image. 'Alone I pace the winding corridor' — the solitary pacing, the winding corridor; 'walking then resting' — the walking, the resting. Writing feeling through the corridor, quiet and leisured, the eye of the poem: the prefect alone pacing the corridor at the Qingming midnight, walking and resting, his ease and quiet solitude both within.
遥听弦管暗看花。
listening from afar to strings and flutes, quietly watching the flowers.
遥听弦管暗看花。
from afar I hear the strings and pipes, and in the dark watch the flowers.
结句写遥听弦管暗看花,是全诗立意的落点。「遥听弦管」写遥听弦管,「遥听」写遥听、「弦管」写弦管;「暗看花」写暗看花,「暗看」写暗看、「花」写花。一句写遥听弦管暗看花,以遥听弦管写弦管、以暗看花写暗看花,写尽遥听弦管暗看花之情。以花写情,清幽而闲适,是全诗最动人处,也是「以花写情」的点睛之笔。此句以寥寥数语写尽深意,情韵兼胜,正是全诗点睛之笔。其于字句之间暗藏波澜,于平易之中寄寓曲折,尤当反复涵泳,方能得其三昧。
The closing line writes 'from afar I hear the strings and pipes, and in the dark watch the flowers', the poem's landing. 'From afar I hear the strings and pipes' — the distant hearing, the strings and pipes; 'in the dark watch the flowers' — the dark watching, the flowers. Writing feeling through the flowers, quiet and leisured, the poem's most moving point: the distant music drifting, the flowers watched in the dark, the prefect's quiet delight in the Qingming night all within.
Study
Word focus
Related Reading
Su Shi's 'Men may have sorrow and joy, parting and reunion; the moon may be dim or bright, waxing or waning; such has been the way since antiquity' meets the same moon with philosophical breadth and consolation. Bai Juyi's 'A fine wind, a hazy moon: the night of Qingming' and 'listening from afar to strings and flutes, quietly watching the flowers' meets it with serene leisure. One uses the moon to reconcile sorrow and joy, the other to savor a garden night; one is Song lyric expansiveness, the other a Tang quatrain's quiet. Read together, they show two ways of writing moonlight and contentment, one consoling and one savoring.
苏轼《水调歌头·明月几时有》「人有悲欢离合,月有阴晴圆缺,此事古难全」,写闲适感怀、清幽旷达,是宋词长调的名篇;白居易《清明夜》则以「好风胧月清明夜,碧砌红轩刺史家」「遥听弦管暗看花」写刺史家、暗看花。两诗同写闲适感怀、清幽旷达:一写人有悲欢离合、以悲欢写离合,一写好风胧月清明夜碧砌红轩刺史家、以清明夜写闲适;一为苏轼之旷达、一为白居易之清幽,并读正可见诗写「闲适感怀」的两种笔法,皆于闲适之中见清幽。
八声甘州·对潇潇暮雨洒江天 Eight Beats of Ganzhou Song: On the Dusk Rain Spattering the River Sky 柳永 · 同写月夜凝望、清幽清丽,一写对潇潇暮雨洒江天、一写好风胧月清明夜碧砌红轩刺史家,皆于月夜之中见凝望 Both poems gaze into a night scene; one writes a traveler's sorrow in evening rain, the other a prefect's calm in hazy moonlight.Liu Yong's 'Facing the soughing dusk rain spattering the river sky, one washing cleans the autumn' is the classic Song lyric of a traveler gazing in sorrow. Bai Juyi's 'Alone I circle the winding corridor... quietly watching the flowers' is a Tang poem gazing in calm. One writes the autumn rain's sorrow and the traveler's longing, the other the spring night's haze and the prefect's ease; one is Liu Yong's lush melancholy, the other Bai Juyi's clear quiet. Read together, they show two ways of writing the night gaze, one sorrow-drenched and one serene.
柳永《八声甘州·对潇潇暮雨洒江天》「对潇潇暮雨洒江天,一番洗清秋」,写月夜凝望、清幽清丽,是宋词写羁旅的名篇;白居易《清明夜》则以「好风胧月清明夜,碧砌红轩刺史家」「独绕回廊行复歇」写刺史家、行复歇。两诗同写月夜凝望、清幽清丽:一写对潇潇暮雨洒江天、以暮雨写清秋,一写好风胧月清明夜碧砌红轩刺史家、以清明夜写闲适;一为柳永之清丽、一为白居易之清幽,并读正可见诗写「月夜凝望」的两种笔法,皆于月夜之中见凝望。