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唐 Tang · 诗 Poem

早梅

The Early Plum Blossom

齐己

Qi Ji

万木冻欲折,孤根暖独回。
前村深雪里,昨夜一枝开。
风遰幽香去,禽窥素艳来。
明年如应律,先发映春台。

The ten thousand trees, frozen, almost breaking,
The lone root, warm, alone, returning.
In the front village, in the deep snow,
Last night, one branch, opening.
The wind, carrying the hidden fragrance, away,
The birds, peeping at the plain beauty, come.
Next year, if following the rhythm,
First opening, shining the spring terrace.
Listen

Meaning

A poem of the early plum blossom and the hidden beauty, written by Qi Ji. The ten thousand trees, frozen, almost breaking — the lone root, warm, alone, returning — the frozen trees and the warm lone root. In the front village, in the deep snow — last night, one branch, opening — the deep snow and the one branch opening. The wind, carrying the hidden fragrance, away — the birds, peeping at the plain beauty, come — the hidden fragrance and the peeping birds. Next year, if following the rhythm — first opening, shining the spring terrace — the close's first opening of the next year. The poem is the early plum and the hidden beauty: the deep snow, the one branch, and the close's shining of the spring terrace.

万木冻欲折,孤根暖独回。前村深雪里,昨夜一枝开。风遰幽香去,禽窥素艳来。明年如应律,先发映春台。

Appreciation

[Plain Paraphrase] The ten thousand trees, frozen, almost breaking, the lone root, warm, alone, returning. In the front village, in the deep snow, last night, one branch, opening. The wind, carrying the hidden fragrance, away, the birds, peeping at the plain beauty, come. Next year, if following the rhythm, first opening, shining the spring terrace. [Structure and Thought] The poem moves from the frozen trees and the warm lone root, through the deep snow and the one branch opening, and the hidden fragrance with the peeping birds, to the close's first opening of the next year shining the spring terrace. [Key Technique] The poem's art is the early of the plum: the one branch opening in the deep snow, and the close's first opening following the rhythm — the early plum gathered in the one branch and the close's shining. [Emotional Tone] Clear, high, and anticipating: the poem is the early plum, the deep snow and the close's spring terrace.

【白话串讲】 齐己写《早梅》:“万木冻欲折,孤根暖独回”——“前村深雪里,昨夜一枝开”——“风遰幽香去,禽窥素艳来”——“明年如应律,先发映春台”——他写早梅——前村深雪里,昨夜一枝开。 【意象与手法】 “万木冻欲折、孤根暖独回”写万木冻欲折;“前村深雪里、昨夜一枝开”写前村深雪里;“风遰幽香去、禽窥素艳来”写风遰幽香去;结以“明年如应律,先发映春台”写明年来应律。清雅高洁。 【情感与主旨】 齐己写早梅之作,写万木冻欲折而前村深雪里一枝开的早梅,是咏梅诗中的名篇。 【名句点睛】 常考“万木冻欲折,孤根暖独回”写万木冻欲折;“前村深雪里,昨夜一枝开”写早梅一枝开。

Background

Qi Ji (863–937), the monk poet of the late Tang and the early Song, wrote this 'The Early Plum Blossom' of the plum and the early — the hidden beauty of the snow. The ten thousand trees frozen with the warm lone root, the one branch opening in the deep snow of the front village, the hidden fragrance carried by the wind with the peeping birds, and the close's first opening shining the spring terrace — the poem gathers the early plum, the beauty of the snow. The poem is one of the famous poems of the plum of the poet, praised for the word 'one branch' of the opening.

《早梅》为唐代诗人齐己所作诗。齐己(约863—约937),俗姓胡,名得生,潭州益阳(今湖南益阳)人,唐代诗僧。此诗写咏物写景,为咏早梅之作。诗中「万木冻欲折,孤根暖独回」写万木冻欲折,孤根暖独回;「前村深雪里,昨夜一枝开」写前村深雪里,昨夜一枝开;「风遰幽香去,禽窥素艳来」写风遰幽香去,禽窥素艳来;「明年如应律,先发映春台」写明年来应律,先发映春台。齐己此诗以咏物写景、先发映春台写其咏物之情,清雅高洁,是齐己诗中的名篇。此篇《早梅》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。此篇《早梅》在历代选本中多被收录,其艺术价值与流传之广,正可见此诗在同类题材中的重要地位。诗人以匠心独运之笔写寻常之情事,遂使此作历千载而犹有生气,为后人所称赏不绝。

Art

The poem's art is the art of the early and the hidden. The cold opens: the ten thousand trees, frozen, almost breaking — the frozen trees of the cold; the lone root, warm, alone, returning — the warm lone root. The early: in the front village, in the deep snow — the deep snow of the village; last night, one branch, opening — the one branch opening of the night. The hidden beauty: the wind, carrying the hidden fragrance, away — the hidden fragrance of the wind; the birds, peeping at the plain beauty, come — the peeping birds. And the close gathers the anticipation: next year, if following the rhythm — first opening, shining the spring terrace — the first opening of the next year — the early plum, the deep snow and the close's shining, gathered in the poem.

此诗艺术上以「清雅高洁、以梅写春」见长。全诗共四联八句,由万木冻欲折而前村深雪里而风遰幽香去。首联「万木冻欲折,孤根暖独回」写万木冻欲折:万木冻欲折,孤根暖独回;颔联「前村深雪里,昨夜一枝开」写前村深雪里:前村深雪里,昨夜一枝开;颈联「风遰幽香去,禽窥素艳来」写风遰幽香去:风遰幽香去,禽窥素艳来;尾联「明年如应律,先发映春台」写先发映春台:明年如应律,先发映春台。全诗以梅写春,由万木冻欲折而先发映春台,清雅高洁,是齐己诗中的名篇。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。通篇以少总多之法出之,章法严谨而用意深曲,意象凝练而情韵悠长,读之愈久,愈觉其构思之精与笔力之健,堪称同类诗作中不可多得之佳篇,足见诗人炉火纯青的艺术功力。

Allusions

'The ten thousand trees' (wan mu) are the ten thousand trees — the trees of the winter, frozen; 'the lone root' (gu gen) is the lone root — the root of the plum, warm alone; 'the front village' (qian cun) is the front village — the village of the deep snow; 'the hidden fragrance' (you xiang) is the hidden fragrance — the fragrance of the plum, carried by the wind; 'the plain beauty' (su yan) is the plain beauty — the white beauty of the plum, peeped by the birds; 'the spring terrace' (chun tai) is the spring terrace — the terrace of the spring, shining of the close.

诗中「万木冻欲折孤根暖独回」「前村深雪里昨夜一枝开」「风遰幽香去禽窥素艳来」「明年如应律先发映春台」等语,皆含典故故实。「万木冻欲折孤根暖独回」写万木冻欲折孤根暖独回;「前村深雪里昨夜一枝开」写前村深雪里昨夜一枝开;「风遰幽香去禽窥素艳来」写风遰幽香去禽窥素艳来;「明年如应律先发映春台」用应律之语,写明年来应律先发映春台。诗人以深雪、春台等语入诗,不着痕迹,而把咏物写景之情写得真切可感,是善于熔铸典故的体现。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。此等用典之法,熔铸古今而不着痕迹,既不炫博以示学,亦不拘泥于旧解,正见诗人学养之深与运思之巧。读者于此等处尤当细心玩味,方能领会其言外之旨与味外之味。

Commentary

This poem is one of the famous poems of the plum of Qi Ji, quoted for the word 'one branch' of its opening. The one branch opening in the deep snow, and the shining of the spring terrace, are among the admired images of the poet's poems of the plum. Critics praise the poem's early: the plum gathered in the deep snow, to the close's shining of the spring terrace.

这首《早梅》,是齐己写咏物写景之作,写万木冻欲折、前村深雪里、风遰幽香去、先发映春台之情,清雅高洁。首联「万木冻欲折,孤根暖独回」——万木冻欲折,孤根暖独回。写万木冻欲折:万木冻欲折、孤根暖独回——万木冻欲折、孤根暖独回;颔联「前村深雪里,昨夜一枝开」——前村深雪里,昨夜一枝开。写前村深雪里:前村深雪里、昨夜一枝开——深雪里、一枝开;颈联「风遰幽香去,禽窥素艳来」——风遰幽香去,禽窥素艳来。写风遰幽香去:风遰幽香去、禽窥素艳来——幽香去、素艳来;尾联「明年如应律,先发映春台」——明年如应律(用应律之语),先发映春台。写先发映春台:明年如应律、先发映春台——应律、映春台。这「明年如应律,先发映春台」,是全诗之结:以先发映春台写其咏物。全诗清雅高洁,以梅写春,正是齐己诗中的名篇。综观全诗,情真、景切、理深,三者浑融无迹,故能于短短数语之中寄无限深意,令人百读不厌。其含蓄蕴藉之处,正是中国古典诗歌以少总多、言有尽而意无穷的美学精神的生动体现。

Prosody

Form A regulated five-character poem of the object诗(五言律诗)
Rhyme The poem rhymes on the level-tone hui, kai, lai and tai of the group — the even, level rhyme that carries the clear anticipation.此诗为五言律诗,共八句,四联。押平声韵:「回」「开」「来」「台」押灰部韵。诗体依律诗而定,首联颔联颈联尾联各两句,句式整齐,音节随情起伏,正与写咏物写景的清雅高洁相称,也见其以律诗写咏物的自然。
Tone pattern The cadence is that of the early: the level opening with the cold and the root, the turning with the one branch in the deep snow, and the close's rise with the shining of the spring terrace.句式上,首联「万木冻欲折,孤根暖独回」写万木冻欲折,音节清冷;颔联「前村深雪里,昨夜一枝开」写前村深雪里,音节清雅;颈联「风遰幽香去,禽窥素艳来」写风遰幽香去,音节轻灵;尾联「明年如应律,先发映春台」写先发映春台,音节高洁。全诗音节随情起伏,由清冷而清雅、由轻灵而高洁,正合律诗「整饬」之妙,读来如咏物写景、先发映春台之音,清雅而动人。
Reading note The poem's sound matches its early: the even, level rhymes carry the cadence of the plum, and the close — 'xian fa ying chun tai' — rises with the spring terrace, the sound of the anticipation of the poet.此诗为五言律诗,是齐己写咏物写景之作,也是其诗中的名篇。全诗的艺术特色在于「清雅高洁、以梅写春」:「万木冻欲折,孤根暖独回」写万木冻欲折、「前村深雪里,昨夜一枝开」写前村深雪里、「风遰幽香去,禽窥素艳来」写风遰幽香去、「明年如应律,先发映春台」写先发映春台。全诗清雅高洁,以梅写春。尤为精妙者,是「前村深雪里,昨夜一枝开」写尽雪梅之美;而「明年如应律,先发映春台」用应律之语,正是齐己诗「清雅高洁」的典范,为历代选本所常收。《早梅》一诗之所以读来声情并茂,正在于诗人以声韵配合情思、以节奏烘托意境,音节之长短、平仄之起伏,皆与诗意相为表里,此亦可见中国古典诗歌声律之美与匠心之工。

Line by line

万木冻欲折,孤根暖独回。

The ten thousand trees, frozen, almost breaking, the lone root, warm, alone, returning.

万木冻欲折,孤根暖独回。

Ten thousand trees, frozen almost to breaking; the lone root, warmed alone, revives.

首联写万木冻欲折,起笔即见其寒。「万木冻欲折」写万木冻欲折,「万木冻」写万木冻、「欲折」写欲折;「孤根暖独回」写孤根暖独回,「孤根暖」写孤根暖、「独回」写独回。两句一写万木冻欲折、一写孤根暖独回,以万木冻欲折写万木冻折、以孤根暖独回写孤根独回,写尽万木冻欲折、孤根暖独回之情。以寒起兴,清雅而高洁,是「以寒起兴」的妙笔。

The opening couplet writes ten thousand trees, frozen almost to breaking, the cold named at the first stroke. Ten thousand trees frozen: the whole woods' icy weight. Almost to breaking: near snapping. The lone root, warmed alone, revives: the single root, the warmth returning. One couplet writes the frozen woods near breaking and the lone root's warmth - Qi Ji's starting point for the early plum: the world's frozenness set off the single root's spring. The line opens with cold as bi-xing, elegant and lofty: the contrast at once.

前村深雪里,昨夜一枝开。

In the front village, in the deep snow, last night, one branch, opening.

前村深雪里,昨夜一枝开。

In the deep snow before the village, one branch opened last night.

颔联写前村深雪里,是全诗写梅开之态的关键。「前村深雪里」写前村深雪里,「前村深雪」写前村深雪、「里」写里;「昨夜一枝开」写昨夜一枝开,「昨夜」写昨夜、「一枝开」写一枝开。两句一写前村深雪里、一写昨夜一枝开,以前村深雪里写深雪里、以昨夜一枝开写一枝开,写尽前村深雪里、昨夜一枝开之情。以雪写梅,清雅而高洁,是「以雪写梅」的点睛之笔。

The second couplet writes in the deep snow before the village, the key to the poem's blooming state. Before the village deep snow: the snow before the hamlet. Within: the place. One branch opened last night: the single flower, the first. One couplet writes the deep snow before the village and one branch opening last night - Qi Ji's scene: in the deep snow, one branch blooms. The line uses snow for the plum, elegant and lofty: the deep snow sets off the one white flower.

风遰幽香去,禽窥素艳来。

The wind, carrying the hidden fragrance, away, the birds, peeping at the plain beauty, come.

风遰幽香去,禽窥素艳来。

Wind carries the faint fragrance away; birds peep at the white splendor and come.

颈联写风遰幽香去,是全诗写幽香之态的关键。「风遰幽香去」写风遰幽香去,「风遰幽香」写风遰幽香、「去」写去;「禽窥素艳来」写禽窥素艳来,「禽窥素艳」写禽窥素艳、「来」写来。两句一写风遰幽香去、一写禽窥素艳来,以风遰幽香去写幽香去、以禽窥素艳来写素艳来,写尽风遰幽香去、禽窥素艳来之情。以香写梅,清雅而高洁,是「以香写梅」的点睛之笔。

The third couplet writes wind carries the faint fragrance away, the key to the poem's faint-fragrance state. Wind carries the faint fragrance: the breeze and the scent. Away: the drifting off. Birds peep at the white splendor and come: the birds' gaze, the white beauty. One couplet writes the wind-borne fragrance and the birds' coming - Qi Ji's scene: the scent drifts, the birds drawn. The line uses fragrance for the plum, elegant and lofty: the scent and the birds both witness the flower's charm.

明年如应律,先发映春台。

Next year, if following the rhythm, first opening, shining the spring terrace.

明年如应律,先发映春台。

Next year, if it answers the season, may it bloom first, shining over the spring terrace.

尾联写先发映春台,是全诗立意的落点。「明年如应律」用应律之语写明年来应律,「明年如」写明年来、「应律」写应律;「先发映春台」写先发映春台,「先发」写先发、「映春台」写映春台。两句一写明年来应律、一写先发映春台,以明年如应律写应律、以先发映春台写映春台,写尽明年如应律、先发映春台之情。以春写梅,清雅而高洁,是全诗最动人处,也是「以春写梅」的点睛之笔。

The closing couplet writes may it bloom first, shining over the spring terrace, the poem's landing. Next year, if it answers the season uses the answering-the-season phrase: the coming year's bloom. May it bloom first: the first opening. Shining over the spring terrace: the garden terrace. One couplet writes next year's season-bloom and the first shining over the terrace - Qi Ji's resolution: next year may this plum bloom first and shine over the spring terrace. The line uses spring for the plum, elegant and lofty, the poem's most moving point: the wish for the first bloom becomes a blessing.

Study

Word focus

孤根 'The lone root' — the root of the plum, warm alone. 「孤根」写孤根暖独回,是写孤根之态的关键。「孤根暖独回」着一「孤根」,写孤根——着一「孤根」,写孤根暖独回,见其根之孤。两字写尽孤根之态,是「以词写根」的妙笔。「孤根」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
深雪 A key expression in the poem. Read it as an image, mood, or grammar point in context. 「深雪」写前村深雪里,是写深雪之态的关键。「前村深雪里」着一「深雪」,写深雪——着一「深雪」,写前村深雪里,见其雪之深。两字写尽深雪之态,是「以词写雪」的点睛之词。「深雪」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
一枝开 A key expression in the poem. Read it as an image, mood, or grammar point in context. 「一枝开」写昨夜一枝开,是写一枝开之态的关键。「昨夜一枝开」着一「一枝开」,写一枝开——着一「一枝开」,写昨夜一枝开,见其花之一枝。三字写尽一枝开之态,是「以词写开」的点睛之词。「一枝开」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。
幽香 'The hidden fragrance' — the fragrance of the plum, the hidden beauty. 「幽香」写风遰幽香去,是写幽香之态的关键。「风遰幽香去」着一「幽香」,写幽香——着一「幽香」,写风遰幽香去,见其香之幽。两字写尽幽香之态,是「以词写香」的点睛之词。「幽香」一字之用而全篇生色,与诗中情韵相为表里,正见诗人炼字之精与匠心之独运。读者于此等处若细细体会,自能领会其于平淡之中见功力、于寻常处见神奇之妙。

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山园小梅 The Little Plum of the Mountain Garden 林逋 · 同写咏物言志、清雅高洁,一写疏影横斜水清浅暗香浮动月黄昏、一写前村深雪里昨夜一枝开,皆于咏物之中见清雅 Both are the poems of the plum and the hidden beauty — the fragrance of the dusk of Lin Bu, the one branch of the snow of Qi Ji — the two plums of the Song and the Tang.

Lin Bu's 'The Little Plum of the Mountain Garden' — 'the sparse shadows, slanting across the shallow water' — is the plum of the clear elegance; Qi Ji's 'The Early Plum Blossom' — 'one branch, opening in the deep snow' — is the plum of the early — the two plums, the one of the sparse shadows, the other of the one branch.

林逋《山园小梅》「疏影横斜水清浅,暗香浮动月黄昏」,写梅之清雅、言志,是宋诗咏物的绝唱;齐己《早梅》则以「前村深雪里,昨夜一枝开」「风遰幽香去,禽窥素艳来」写深雪里一枝开、幽香去素艳来。两诗同写咏物言志、清雅高洁:一写疏影横斜水清浅暗香浮动月黄昏、以梅写清雅,一写前村深雪里昨夜一枝开、以雪梅写早春;一为林逋之清逸、一为齐己之清雅,并读正可见诗写「咏物言志」的两种笔法,皆于咏物之中见清雅。

浣溪沙·一曲新词酒一杯 Silk-Washing Stream: A New Song, a Cup of Wine 晏殊 · 同写感怀惜时、无可奈何,一写无可奈何花落去、一写前村深雪里昨夜一枝开,皆于感怀之中见惜时 Both are the works of the season and the feeling — the falling flowers of Yan Shu, the opening branch of Qi Ji — the two feelings of the flowers of the season.

Yan Shu's 'Silk-Washing Stream' — 'the falling flowers of the helpless' — is the feeling of the falling flowers; Qi Ji's 'The Early Plum Blossom' — 'one branch, opening' — is the feeling of the opening branch — the two feelings of the flowers, the one of the fall, the other of the opening.

晏殊《浣溪沙·一曲新词酒一杯》「无可奈何花落去,似曾相识燕归来」,写感怀惜时,是宋词小令的名篇;齐己《早梅》则以「前村深雪里,昨夜一枝开」「明年如应律,先发映春台」写深雪里一枝开、应律映春台。两诗同写感怀惜时、无可奈何:一写无可奈何花落去、以花落燕归写惜时,一写前村深雪里昨夜一枝开、以早梅写惜春;一为晏殊之温润、一为齐己之清雅,并读正可见诗写「感怀惜时」的两种笔法,皆于感怀之中见惜时。